I have wanted to dip my toe into the graphghan game for a while now. If you don’t know what that is, check out this image search for Tunisian graphghans. Some of them are completely mind-blowing.
Essentially, each Tunisian simple stitch creates a square-like stitch that is denser than a standard crochet stitch, which makes it easy to plot “graphs” of more complicated images into a blanket. Some people do opt to make these projects with single crochet stitches, which works fine and I have seen some stellar work with single crochet, but in my opinion, color changes are much easier in Tunisian crochet. It has to do with being able to simply “loop on” your new color and move on. Other designers have also used the box stitch to create graphghans in the C2C (corner-to-corner) method — see Repeat Crafter Me, who has really perfected this technique.
What stopped me from attempting a graphghan was using 50-100 bobbins for a project right off, so I thought I’d get my start with a smaller project that still involved enough color changes to make it interesting and challenging. (Also, learning to use bobbins.)
Enter Poppy and Bliss! This designer is similar to Felted Button with her use of color. She definitely knows her way around Tunisian crochet and has created some beautiful designs. I purchased the Tunisian triangles pillow cover pattern ten months ago and promptly bought the yarn I would need, and that yarn has sat in my yarn cart for the better part of a year. Here’s how far I got: I wound four bobbins of the eight colors.
(By the way, in case anybody is wondering, I opted to use Paintbox yarn (acrylic) in the DK weight, which can be purchased from Love Crochet. This acrylic yarn is made in Turkey and despite it being DK with a yarn weight of 3, it is very fluffy and soft with a gorgeous array of colors. I was very pleased with being able to match up the colors quite nicely for the bright pastel version of the pillow. I would say my only gripe is that instead of the name of the color, they print the number of the color on the label.)
In addition to being a smaller and more manageable project, the pillow cover also means I don’t have to weave in the ends from the color changes. I took the designer’s advice and have knotted them together along the way so the color changes don’t create any loose or holey stitches, but otherwise, I have found this pattern to be relatively easy. She gives instructions on the color changes and how to read the chart.
If reading a chart intimidates you, trust me, I have been there. This is also an easy enough “advanced beginner” pattern that allows you to get comfortable with reading a chart without being overly confusing. It is not the same as reading a fair isle chart, which is something I’m working on learning.
I will caution anyone who wants to try this pattern that you will need to know a few basics about Tunisian crochet and having practiced those techniques on easier patterns will benefit you. For example, creating a selvedge, the return pass, tension, etc.
The most tedious and/or difficult aspects to the entire project thus far have been swatching and finding the right gauge to fit my 16″x16″ pillow, winding the bobbins, and getting started with all the color changes from the chain/foundation row. Once you get all of the colors onto your hook, off you go! (More details on this project can be found on my Ravelry projects page, but I am having to use a 4mm hook to get the right gauge vs. the 6mm hook the pattern calls for.)
One other difference for me with this project is that I am making two sides of the pillow with the pattern; I am not creating just one side and sewing it to fabric on the other side. It may seem daunting to do two, but I’m already 1/3 of the way through after only spending two nights on it in my free time.
I will post again when I’ve finished the project and will continue to put up photos as I go along — places to find me on social are below!